Four Invitations Into the Unknown

Invitation 1 for ” The Environment as a Witness” exhibition.

(in Hebrew “הסביבה כעדות”).

The four different invitations I issued for my coming up exhibition  ” The Environment as a Witness”, borrowed their title  from a preprint on quantum mechanics by the same name, with the secondary title:  “Selective Proliferation of Information and Emergence of Objectivity in a quantum Universe”. see here.

A  perhaps somewhat tricky quotation from  the abstract may convey the  flavor of the article and his resonance on the exhibition:

…”We study the role of the information deposited in the environment of an open quantum system in course of the decoherence process. Redundant spreading of information — the fact that some observables of the system can be independently “read-off” from many distinct fragments of the environment — is investigated as the key to effective objectivity, the essential ingredient of “classical reality”.”…

However, in plain English, the meaning is: how we the common humans, aka this article, agree together to see what seems to us the same objective reality made  from ‘ .. many distinct fragments of the environment “….

As someone whose trade is to making pictures from what he sees, this allover passing agreement on a reality based on an unseen quantum substrate is an intriguing mystery.

So, if I want to marry human mysteries with quantum mysteries in an art gallery,  for the human side of this marriage, a good story is  Night Watch (Russian: Ночной дозор, Nochnoy Dozor) a fantasy novel by Russian writer Sergei Lukyanenko:

…”The story revolves around a confrontation between two opposing supernatural groups (known as “Others”): the Night Watch, an organization dedicated to policing the actions of the Dark Others—and the Day Watch, which polices the actions of the Light Others.”..

Additional story details can draw a speculative parallel between the human  reality and the underlying quantum mysteries:

“In the story’s worldline there exists a magical realm beneath the surface of all things—referred to as the Twilight (or Gloom in other translations). The action in the novel centers on a group of people referred to as the Others—human beings who tapped into the Twilight and gained supernormal abilities. The Others were the humans (shamans, soothsayers, and wisemen) from long ago who figured out how to step into the Twilight. However, the Others are different from humans, they are born as Others. Humans are not able (at least in the first part of the tetralogy) to become Others.” .. see here.

The novel was made into a movie in 2004 by by the Kazakhstan-born film director Timur Bekmambetov, see here.

The movie was my visual source for the human side drawings I made in a pseudo comics style. The ‘performed  marriage’ on the invitation  is best seen in invitation 2 (below) where the left hand side is in pixelike form hinting to the quantum mysteries and the right hand side hint to the human mysteries.

Is it a happy marriage or not ? Where mysteries are involved who knows..

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Invitation 2 for ” The Environment as a Witness”.

Invitation 3 for ” The Environment as a Witness”.

Invitation 4 for ” The Environment as a Witness”,

N.B.

Israel. Tel Aviv. ‘The Kibbutz, Art Gallery’.  The exhibition is through May 14. Curated by Yael Keni. ‘

Nazi Propaganda in Misleading Paris Occupation Photos

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Via my Internet subscription to the french newspaper “Le Figaro” I found an article named “Cette exposition est tout à fait légitime”. Seeking an English written article on the same subject I found one on “FRANCE24″ named “German occupation photo exhibit causes scandal” . The opening lines describes in a few words what it’s all about “A controversial new photography exhibit entitled, ‘Parisians Under Occupation’ shows scenes of daily life that contrast sharply with the reality of the German occupation from 1940 to 1945″. (Photography exhibition, “Parisians Under Occupation” at the City Hall Library in Paris features 250 color photographs by French photographer André Zucca taken for the Nazi propaganda daily).
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Paris 1940-45
 
  Looking at the exhibition’s video clips reminded me of the same years in Brussels, where as a kid, I was living and hiding from the Nazis, with my family.The architectural resemblance between Paris and Brussels are striking; the same houses, streets., the same fashion, the false Idyllic look of a good living world. And all this, only a propaganda veil hiding the atrocities of the Nazi regime all over Europe.
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What ignite the fire of scandal was , I quote, that… “These unedited images, taken by a 24/36 Leica, were taken between 1942 to 1945, the height of the German occupation. The absence of any explanation about the propaganda element in the exhibit is striking…
 
  ..Most of the photos contrast sharply with the history books recalling the Vel d’hiver roundup and deportation in July 1942. Where are the snaking lines outside food stores? Where are the witnesses of the occupation? Rare are the photos where a yellow star sewn on coat lapels is seen on passers-by. This unexpected take on “German France” does not leave one indifferent.”…see here.
  
Here are more photos:
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I extracted the photos from  France 24″ here and from ”Le Figaro” here.
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Meanwhile the scandal continue,  I quote,..”WIthout questioning their beauty, the photos are disturbing. Even worse, the very title of the exhibit is rather shocking, due to its inaccuracy. Christophe Girard, the Parisian deputy mayor in charge of culture, is quite clear.”… “We should stop this exhibit!” …”Paris mayor Bertrand Delanoë says the incident was “badly managed”, and is trying to put things right. He preferred not to ban the exhibit to avoid accusations of censorship, but removed the posters advertising the show. Organisers are also planning a debate titled “Is the camera an objective witness?” in a last-minute attempt to correct their early mistakes”..see more.
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 Well, I was a witness of those past days. What I remember are photos like these  from the “..’round-up’ or ‘raid’ of the Velodrome d’Hiver’,(see here), mirroring similar photos of Nazis raids in Brussels.
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I published this story on NowPublic and add here the comments by  NowPublic editors and contributing members.
 

 

 

 

 
good stuff:For me, the only way to take those exhibited images beyond revisionism/propaganda would be to show them alongside documentary counterparts: the image and the reality… sort of like what you did in the story above!

jordan thanks for the comment and the GS.

The curators of the exhibition trayed to minimize their mistakes, “..A large excerpt from the preface to the exhibition catalogue (Ed Gallimard / Paris Library), prepared by Jean-Pierre Azema, a specialist historian of this period is included in the exhibition since its opening and also recalls the historical context in which these photographs were taken, for more see here ..

…A weak palliative for bad conscience.

 
good stuff:korzac, I like this story. It’s good stuff. Excellent story and coverage Korzac

Barry Artiste, thanks for the comment and the GS.

 
good stuff:One must always guard against revisionist history. 

Karen Hatter, the exhibition is a form of visual deceit under the decent patronage of ‘culture’. But the french living witnesses of those years denounced the fraud..

Thanks for the comment and the GS.

I think all governments contribute propeganda to their citizens.

History reveals many things, sometimes it takes a while to come out. Many Germans, I believe, had no idea what was happening far away.

Of course they would prfer to be thinking of good things happening from their nations actions, just as we all are wishing to belive good things are happening from current conflict zones.

Matte, about your..”Many Germans, I believe, had no idea what was happening far away”..

Look at this ..”In a seminal study published thirty-five years ago, The Destruction of the European Jews, Raul Hilberg observed that the perpetrators of the Nazi holocaust were “not different in their moral makeup from the rest of the population…. [T]he machinery of destruction was a remarkable cross-section of the German population.”..see here.

Or look at this ..”To think that the Germans were unaware of the genocide is ignorant and absurd. The Germans saw as well as the Jews did what was going on. Why do you think so many Jews fled the country? They knew that death awaited them in the hands of the Nazis. The Germans saw the Jews being humiliated, corralled through the city, loaded up in trains and sent off to die horrible deaths in the concentration camps.’.. see here.

And look at the link with the title ..’The Genocide Generals: secret recordings explode the myth they knew nothing about the Holocaust“…see here.

I think Matte perhaps is stating that German civilians and soldiers far away from the conflict of the cities, perhaps the countryside and soldiers stationed outside of Germany may not have known about the concentration camps. Though I am sure rumours circulated, and perhaps even the rumours were infathomable to believe that humans could do that to humans.

Propeganda means different things to different people, and people belive what they want to believe. A study after a war cannot accuratly deduce what was going on inside people’s heads at the time. Yes people were being taken away – but at the time I belive NO ONE knew to where or for what fate.

People belive until they know otherwise, as has happened with the Iraq situation – people are fed propeganda and lies, until the truth is finally revealed. There is no blame for this on the part of the population, they just belive what they are told.

Just as in the Seconf World War the Japanese being portrayed as devils….but they were only following their leaders and fighting their war the way they were told, as is the US military, the Chinese military etc.

Matte about your “Yes people were being taken away – but at the time I believe NO ONE knew to where or for what fate.” What I most liked in this sentence is the irrevocable absoluteness of “..NO One knew..”

 Well, by ‘my what I where told by myself’  I know that SOME know what where the fate of the people taken away…

For example, the Belgian Benedictine priest, Reverend Henry Reynders  who saved my life and the life of  many other children from deportation, he and the whole Belgian rescues organisations knew perfectly well what would be our fate..see here  So,It would be very comforting that you indulge yourself in upgrading your knowledge from ‘No One knew’ to Some knew. The remaining question  will then be: how many is some.. 

 

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