How to made a drawing happen. Well let the bits run. Play around. Alone. Anyway the bits run without your permission: you are a part of the running bits so you are running concurrently with all the possible drawings.
‘Run Bits Run’ is my variation on the movie’s title ‘Run Lola Run’. Perhaps an odd choice for naming an article on drawings made from common screen pixels. But from my point of view, considering pixels and photoshop layers as unseen building blocks, my choice is not so far from the three parallel stories making the movie’s overall story plot.
The movie tell us, I quote:
… Lola needs to get a-hold of 100,000 marks (the movie pre-dates the Euro by a couple of years) in 20 minutes in order to save her boyfriend, Manni, from near-certain death at the hands of the bad guys. What we receive is three alternative versions of those 20 minutes, event sequences starting out identically but diverging quickly into three different realities on the basis of Lola’s trifling encounter with a dog on a stair… more on Run Lola Run
From the film “Run Lola Run”.
So it seems that the overall plot is taking place in some sort of multiverse where the ‘same characters’ live parallel lives without interfering with each other. Only the audience of the movie, acting as an outside privileged observer, sees and knows the whole truth.
The direct output.
Now, I wouldn’t abuse to much the scientific term multiverse. I am only playing around. ….. In his strict sense multiverse is only a popular name stemming from a interpretation of quantum mechanics by Hugh Everett so the term is not directly related to screen pixels. But if I consider pixels as a visual substrate of some sort of underlying or parallel drawing world, something analogous to a stack of photoshop layers, where each layer has his own life, then the above drawing made with black markers on paper and scanned into this article, may well originate from the following bunch of (pseudo) random pixels….
….. A bunch of pixels evolving into my head into other pixels configurations, leading to the picture below, picture residing now implicitly in the above layer and explicitly in the picture layer below:
One way out.
And so , after some further experiments with the underlying stack of layers living in the drawing space, I get the picture below:
The escape from the labyrinth.
And finally, stopping somewhere without obvious reason why here 0r there, I see the final picture as the whole thing, forgetting the other concurrent layers buried into the primordial bunch of pseudo random pixels
The final frontier.
This is perhaps a childish way of playing around with well know tools as layers and pixels. But it my also point to underground streams of visual forms whose surfacing into plain view my contribute new emotions and feelings..
….As the following pictures perhaps does:
The final solution: Scream Bits Scream.
As the Dubai assassination is accumulating more and more ‘evidences’ the mystery is growing in the same proportion.
…”UK probes fake passports in Hamas killing..
British PM Brown pledges ‘full investigation’ into how fake British passports were linked to killers of Mahmoud al-Mabhouh.’ in Dubai, see here.
But in some way the underlying real story is that of the digital cameras monitoring the people entering the hotel’s main entrance. With their benevolent help the Dubai police says she was able to reconstruct a plausible plot pointing to the group who presumably perpetuated the assassination of al-Mabhoud.
“The Group”, click to enlarge.
Should it come as a surprise? No, today in the era of the pixel, when every urban corner is infested by digital devices screening, filtering and distorting the visual space beyond the monitor display, you may use the title of the celebrated James Joyce’s novel, “A Portrait of the Artist as a Young Man” paraphrased into ‘You the citizen as a Fake digital Portrait of Yourself”‘.
You may ask: why equating ‘citizen’ to ‘fake portrait of himself’? Are Rembrandt’s auto portrait not some sort of fake of himself? Well no, a priory he was himself and himself is what he painted to finally be exhibited in the.. Tate gallery. The digital camera is not you and a priory know nothing about your existence while being busy at filming you.
But in terms of being exhibited, you are exhibited, but not in a gallery. You are exhibited for your lifetime and afterward in the digital archives basements of your own country or elsewhere, with the help of your Gmail, facebook, Twitter, MySpace, You Tube … and I forget, your blog and your cellular.. and so on. You model and promote yourself into a pixelike fake auto portrait available to anyone on the information highway.
But again, why ‘Fake”? Because the pixel created in a monitor is only pure photon energy radiated into our eyes and brain without palpable substance. It’s you and not you. This sort of faking the assassination in Dubai is something impersonal automatically performed on the fly by the cameras, created by cutting out a very partial digital picture from the monitored space and inferring from this digital snapshot on the whole peripheral space of your own live. Is that not a fake re-creation of yourself ..far away from a printed photo, drawing or painting and sculpture who embodied something from the people who created them via yours and their own personality, reverberating an intimate proximity with you.
Mahmoud al-Mabhouh, click to enlarge,
Now, the whole Mahmoud al-Mabhouh affair is almost an Hollywood espionage thriller, where the acting role of the digital cameras monitoring the hotel entrance, the cameras monitoring the airport the customs, the town and putting it shorty our entire living space are well worth an Oscar in the category of the best acting actor .
When I read about identity theft of innocent citizens from the UK, Ireland France and Germany I smile. Dubai is monitoring her entire human traffic and is perpetuating a massive identity theft, copying passports visas and anything that can be stored digitally for any purpose legal or illegal. The UK, Ireland, France and Germany do the same..but ultimately it is a gigantic fake portrait inviting or forcing you to agree with.
This is far away from the meticulous investigations of Sherlock Holmes and Dr. Watson where the reality was dust, blood, stains and some lost handkerchief in a modest local neighborhood in contrast to the third millennium digital globalization.
So putting aside for a moment the assassination of Mahmoud al-Mabhouh, lets admit that we live in ‘A brave new world’….rewritten in terms of a global digital scanning machinery putting in danger any one of us now or in the future . If the Mossad did the assassination, he knows how to defend himself. We, the ordinary people.. ‘don’t know which way to go…’ .
As a footnote, way not, for us living in the digital era, here is the pixelization of Haifa Whebe and Lady Gaga,
done with the Photoshop threshold tool, reducing them to some binary form… 010001001111..being kept in some dusted mystery house basement. Click to enlarge.
Aliens or strange protocols…source
The following headers are surely no science fiction and may fit in any major press article about the hot events of the day:
….”President’s Barak Obama Al-Hazhar speech on 4 Jun 2009 to the Arab-Muslim world.”
“The lesson of the recent revolutionary events in Iran, after the Ahmadinejad fraudulaus election.”
These are major straightforward events with a global media dissemination and visualization (..Twitter, Facebook etc…). But despite their realness, they are only the top of the iceberg. The remote hidden part may tell stories on the verge of science fiction.
Now, perhaps the Iranian Ayatollahs should be interested to know that the US homeland security department in an unpredictable move discover that there is such a curiosity named science fiction , I quote:
…”U.S. Mission for Sci-Fi Writers: Imagine That Novelists Plot the Future Of Homeland Security…
The line between what’s real and what’s not is thin and shifting, and the U.S. Department of Homeland Security has decided to explore both sides. Boldly going where few government bureaucracies have gone before, the agency is enlisting the expertise of science fiction writers. … .Crazy? This week down at the Reagan Building, the 2009 Homeland Security Science & Technology Stakeholders Conference has been going on. Instead of just another wonkish series of meetings and a trade show, with contractors hustling business around every corner, this felt at times more like a convention of futuristic yarn-spinners.”… see here.
And going one step further, remembering the hidden part of the iceberg.
When I read the transcript of Obama’s speech I don’t explicitly think about the print paper the ink and the whole publishing process. The same is true for twitter, facebook or other social networking sites. I don’t care about internet protocols or any hardware apparatus. Moreover seeing the harsh Tehran clashes pictures on my monitor does not put me in a meditative mood about pixels or about myself as the one who implacably produce what in my everyday life I experienced as love, emotions, work, art, war, or the “twittering revolutionary events in Iran”. I am only the end user sitting on the top of the iceberg. No science fiction here.
To be more specific, in this inexorable implicit course of absorbing information I only see the real life pictures and don’t have any awareness of let’s say -invoking here some weird science (fiction..) – something like the Feynman diagrams, which is a mathematical protocol juggling with discrete energy jumps underlying every physical event, including analogously the internet protocols the paper and ink publishing and my physical self. They are all taken for granted at some hidden semi-science-fiction level like in the Minority Report movie where the police can predict future crimes leading to their prevention, (the film is based on a Philip K. Dick story).
A good example for this taken-f0r-grantedness is the neutrino effect, I quote..”I can illustrate that. [Your] thumbnail’s about roughly a square centimeter. Every second, about a hundred billion of these solar neutrinos according to our calculations would be passing through your thumbnail every second of every day of every year of your life, and you never notice it.” see here. ..pure science fiction..
In this context, to most people, jiggling diagrams and neutrinos seems to be a fiction far away from our real life.. But fiction is the name of the game because being well suited to dig into my shadowy activities working at some inside level in me without asking my permission to do so, a strategy well understood by the brainless swine flu.
And indeed if I am relying on today’s hard core science, exploring this sort of futurist fiction can create the new visual pictures and their interpretations my hint for the unseen part of the iceberg pointing in new directions where science fiction, fiction and non-fiction merge together. The Iranian events my act here as a good metaphor.
I remember Greg Bear’s science fiction novel “Eon”. Pictures generated by the novel, see here, following these new visual themes are in diametrical opposition to pictures from the electoral events in Iran (2009) . The first picture below, is the representation by the press, TV the bloggers and the social nets of the green Iranian opposition protest against the outcome of the vote. The picture is direct, violent and utterly emotional. For the great majority of media users there is no room for (science) fiction speculation, this the true real stuff.
The second picture described by the visual artist Kaufeldt:
…” ..is supposed to depict the moment when Lanier is leaving Patricia with a bunch of books in the Alexandria Library (my words: named after the historical library see here), and she is just about to find the passage describing The Death, which will happen in just a few weeks in their timeline, although it is already ancient history for the historian who wrote the book in question.”…
The “Death” describe the annihilation of the planet Earth. A much greater violent event than the Iranian opposition protest but an event buried into science fiction fantasy so having lesser credibility than the actual immediate deadly events in Iran.
Kaufeldt’s drawing based on “Eon”. Click to enlarge.
Kaufeldt , depicting the heroes world of Greg Bear’s novel “Eon” presuppose in their world the explicit action of their modern physics in their everyday on all his aspects . We don’t presuppose such explicit acting of science and no author would written such fantasies: they are only science fiction..with no real credibility. For instance, black holes are invoked mostly as a metaphor not as the real thing described by science . . So you can always say that the Iranian opposition will be annihilated inside an Ayatollahs black hole.. and Twitter will spate them out in the reverse direction from within a white hole… the stuff for a good science fiction story..
In Eon the metaphor is becoming real. Historians from our future already wrote our own history: and events that where actually going to happen where already recorded in their history book called “the Death”, announcing from their timeline, the imminent destruction of Earth in in our timeline,. Their stories are embedded in what they see or feel or know as time travel, black hole singularity and gates to other worlds. For us this is only weird fantasy.
Most conventional fiction writers wrote their novels and stories representing our world without mentioning explicitly that their characters and plots are staged in an underpinning physical world who can act explicitly as some kind of character. The stories are told on a direct psychologist level and the physical environment is always here anonymously.
So when is the physical environment loosing it’s science fiction anonymity in the sense that we acknowledge it’s merging with the stories of our life..
With the violent events in Tehran, the social networks and in particular Twitter and You Tube moving explicitly to the front stage not only as social networks transmitting in real time the bloody events in Iran, but as building-up an underlying pattern of some sort of collective random mind sending bits of information revealing a resource that three decades ago would be considered as pure science fiction curiosity. The metaphor of the virtual and the non-creditable fantasy become a reality in the Islamic state of the Ayatollahs.
“When and why did you decide to become an economist in the first place?”
‘That’s a little embarrassing. I don’t know how many of your viewers read science fiction, but there’s a very old series by Isaac Asimov – the Foundation novels – in which the social scientists who understand the true dynamics save civilization. That’s what I wanted to be; it doesn’t exist, but economics is as close as you can get, so as a teenager I really got into it.’
Krugman is talking about the psychohistorians like Hari Seldon, who practiced the science of psychohistory; in the Foundation series, Seldon predicts the fall of the Galactic Empire and then works with a team to reduce the period during which civilization falls into barbarism to a single millenium.”…
Well let me guess, to the grand dismay of president Obama and many other political leaders who are not psychohistorians, they did not predict the events of the Iranian vote and this seems plausible. But the social earthquake of the Iranian revolutionary events, generating the twitter, you tube, sms and cellular phone cameras tsunami, may remind Obama and the Ayatollahs that we are already a world embedded in the science fiction of a viral eco-information era acting as a flue without a possible medication.
And if talking about the era of information here is the following quote:
…”Harry McDavid, chief information officer for Homeland Security’s Office of Operations Coordination & Planning, had a question for Catherine Asaro, author of two dozen novels, about half of them devoted to her Saga of the Skolian Empire. She also has a PhD in physics. McDavid’s job involves ‘information sharing’ — efficiently communicating information about response and recovery across agencies, states, business sectors. How, he wanted to know, did Asaro come up with the Triad system in her novels of flashing thoughts instantly across the universe?
‘It evolved along with the story,’ Asaro said. Basically, she applied principles of quantum theory — one of her specialties as a physicist — to a fictional theory of ‘thought space.’ “… see here.
And below pictures of funny information languages..
Are pixels an alien language ?
The Israeli supermodel Bar Refaeli in conventional language..see more.