The Interview: K’amila,Kuba-Zdunska Wola, Massada-Shlomo

Interview,http://muzeumzdunskawola.blogspot.co.il/2014/07/festiwal-3k-fotonotatnik.html
Interview,http://muzeumzdunskawola.blogspot.co.il/2014/07/festiwal-3k-fotonotatnik.html

 

The following interview take place in Zdunska Wol between me and my interviewer Kuba Pawelec, (a student of the Faculty of Fine Arts in Cracow  University and a graduate  of Jewish Studies at the Jagiellonian University).

The interview was conducted via video conference:  I was in Kibbutz Massada in Israel and the audience, attending the vernissage of my exhibition, was in the Historical Museum in Zdunska Wola, Poland

The questions where asked in Polish then translated into English, I answered in English and my answer was retranslated  to Polish….

After this “introduction” here is the interview:

0.  Jakie to uczucie spotkać się ze zduńskowolanami podczas Twojego wernisażu w MHMZW?
What kind of feelings do you have meeting the residents of Zdunska Wola today, even just only by skype?
ANS.. It looks  like a surrealistic scene …To  see today people from Zdunska Wola attending my exhibition … because I know that all my family, who has lived for generations in this city, has been murdered here in 1942 by the Nazis….Anyway I am glad to see you… Because I feel it as the renewal of a bond between my generations (1933 who survived the Holocaust) with your present generation in Zdunska Wola 20141. (And this has nothing to do with art..)

Could you be so kind and tell us a story of your family?
ANS…Well, all my family is from Zdunska Wola…..Lived there for many generations…A few of them emigrated from Poland before WW2….Among them my parents, Avraham and Gitel Kojetz and  one aunt Sarah, who emigrated to Belgium in 1929-1930. The fate of my remaining family in Zdunska Wola is known..
I myself was born in 3.3.33 in Anvers.With the outbreak of WW2 we moved (my parents and my little brother) to Brussels. It is more than a miracle that my parents where not deported to the extermination camps… But miracles need always some human assistance and indeed this assistance was given by very good Belgian friends of my parents (Mrs Van Campenhout and Quataquer) and the catholic priests from Brussels  who helped to hid me and my brother, throughout  the war in the Belgian families Decrean in Dighem, Segers in Denderlew, Kellner in Awagne and in the Homme de Leffe by the priests and especially the pere Bruno (Henry Rynders).
In 1949 I went to Israel and my parents and brother  came to Israel in 1950. After my army service (1953) I went to kibbutz Massada  where I meet my wife Noah (who was born in the the kibbutz) We have 4 children and 7 grand children. .

To enlarge the pictures click on them.

 

Suzanne and Albert Decraen, Dieghem,Belgium,1941
Suzanne and Albert Decraen, Dieghem,Belgium,1941 (Vilvorde

 

Awagne-Michel Kellner-Dinant 1943-2014
Awagne-Michel Kellner-Dinant 1943-2014 (Dinant)

 

 

Marie Antoinette Kelnner Awagne 1943
Marie Antoinette Kelnner
Awagne 1943 (Dinant

 

Interview,  Dieghem-Saventhem: from the exhibition
Interview, Dieghem-Saventhem: from the exhibition

 

Van Campenhout 1941 Brussels
Mr. Van Campenhout 1941 Brussels, rue Vondel 69

 

Hotel du Midi Bruxellrs
Mr. Quatacker. Rue du Midi, Bedfort Hotel… Bruxelles

 

1a. (Jeżeli sam nie powie pytanie o służbę ojca w polskim wojsku)
Could you tell as something about your father, his military service?
ANS…My father was in the Polish army in 1925…I don’t know what he  did …. but I have his military booklet (KSIAZECZKA WOJJSKOWA) which is packed with the details of his army service. It is written in Polish. I will send you the scans of the principal pages. I would be very happy to know the details of his service in the polish army.

 

Interviewer Kuba Pawelec
Interviewer Kuba Pawelec

 

2.  Co było w pocztówkach wysyłanych pomiędzy gettem w Zduńskiej Woli a Twoją rodziną w Belgii?
You tell us about the post cards sending by your family from the ghetto of Zdunska Wola to your parents in Belgium. What about they were writing on the cards?
ANS…Yes, I told you about the post cards. My parents didn’t tell me anything. Only after they passed away, I found  the post cards they receive between the years 1940-41from Lodz and Zdunska Wola. The content of the post card was “send us money, that is the most useful thing here.” After 1941 the post cards stopped suddenly to arrive.

The Postcard "Eure" 1940
The Postcard “Eure” 1940 Zdunska Wola



3.  Kiedy odkryłeś w sobie potrzebę mówienia poprzez sztukę i czym jest dla Ciebie Twoja twórczość?
How did it happen that you found the art way to express your feelings? What your art means for you?
ANS…To tell you the truth it didn’t happen ..it was always so…some sort of metaphorical singularity  where calculations are meaningless.. and explanations breakdown or in short: I don’t know..so art as a “meaning “ is what I am living consciously and unconsciously…also when most of my life I do other things.

4.  Jak Twoją sztukę odbierają najbliżsi? Z wykształcenia jesteś matematykiem a na emeryturze zająłeś się sztuką na poważnie.
– What about your family? How they like your art. works? You have a bachelor degrees in economics and math, and in this way you have started to do your art quite late.
ANS…As I mention it before,  the trigger or the drive to make art, happen’s to be my “Pavlovian   response”… to myself….some sort of autoimmune disorder from the day I was born…My economics and math studies where made in between the times…In real time I was the Mayor of my kibbutz for about many years but nevertheless I made about 35 exhibitions in Jerusalem, Tel Aviv and in the peripheral museums in the Jordan Valley…My family appreciate my art works…although not exactly understanding what I did …but there is always something to see.?!

5.  Oprócz rodzinnej historii skąd czerpiesz inspirację?
Where do you find the inspiration?
ANS…In my view, inspiration can “emanate” from everywhere and everything I see and feel. Perhaps I am sensitive to those “emanations”… and this is commonly translated as “finding inspiration”…but it is no more than some sort of “accident”, good or bad.

Interview 2  Zdunska Wola
Interview 2 Zdunska Wola

6.  Skoro tyle rzeczy Cię inspiruje dlaczego temat miasta podejmujesz najczęściej? (mam nadzieję, że wiele rzeczy będzie go inspirowało oprócz ZW).
Why do you use so often the subject of the town of Zdunska Wola?
ANS…My works in this exhibition are not meticulous drawings, on the contrary thy  where created in moments of pressure of the events in 1941, but, by a person who lives  in 2014 remembering his own fears as a child hidden from the Nazis.(.. for four years in Belgium (1940-1944).
Still the drawings are “ordinary” but supposedly created in Zdunska Wola 1941, 72 years back in time as if I where some kind of alien coming from the “Planet  2014 … “
And Indeed my signature at the bottom of the works symbolise this: “2014………Z.W. 1941…..”name  of the work”,,,,,,, שלמה “. Something like a code or more exactly- a password to my past, named Zdunska Wola.

7.  Czym jest dla Ciebie przedwojenny jidyszkajt. Często w swoich pracach wideo wykorzystujesz przedwojenne standardy jidyszowe.
What the prewar Yiddishkayt means for you? You use very often the Yiddish music standards in your videos.
ANS…Yiddishkayt …. It was the way we live… also in Belgium…Today it is nostalgia or some academic study….for me using Yiddish music standards is NOT Yiddishkayt it is life as I know it then and now

8.  Kiedy powstała pierwsza praca z serii Z.W.
When do you create the first work dedicated to Zdunska Wola?
ANS…I think it was a year ago …4/2013….

Interview Zdunska Wola 2014
Interview Zdunska Wola 2014

9.  Czym są dla Ciebie, Twojej twórczości, kontakcie z odbiorcą nowe technologie takie jak google+, facebook, istagram, blog.
What Google+, facebook, istagram, blog (so new technology) mean to you?
ANS…The new technology comes closer to a  translation, for everyone, of our actual world into his inherent physical components  by scientific and mathematical procedures. But nevertheless what we call “the soul” remains a riddle. Anyway I like very much the new technologies and make extensive use of what they offer. Perhaps are they another facet of our mysterious soul..

10.Na jednej z Twoich prac postać wypowiada słowa, że “Zduńska Wola to emocje”, czym jest dla Ciebie Zduńska Wola.
On one of your work we can see a man saying “ Zdunska Wola it is emotions”, what Zdunska Wola means for you?
ANS…Well Zdunska Wola was and is an emotion for me. My feelings about the  disappearance of what used to be the normal life of my family is a strong and painful emotion.

11.Na niektórych autoportretach podpisujesz się jako swoje alterego mieszkające w Zduńskiej Woli. Czym się różni Szlomo z Kibucu Massada od Szlomo ze Zduńskiej Woli?
Sometimes you sign your works as the alter ego of Shlomo living in Zdunska Wola. What is a difference between Shlomo from Massada Kibbutz and Shlomo of Zdunska Wola?
ANS…There is a difference….because there is no Shlomo in Zdunska Wola… perhaps in the Many World theory of quantum mechanics there is a real Shlomo in Zdunska Wola…. but in another world…
So to return to the question this is only another version a fantasy of myself put in the context of 1941 but I am living today in 2014 in kibbutz Massada in Israel.

12.Chciałbym spytać Cię o motyw prostej drogi, dokąd ona prowadzi?
You use also sometimes a long, straight way as a keynote. Where this way is going on?
ANS….Roads are means to reach some places or to escape from them…It depends on what you choose.

13.Kim jest krawiec i manekiny na Twoich obrazach? Czy są to manekiny Brunona Schultza? (nie wiem czy nie przegiąłem z tym BS)
Whom a tailor is in your Works? Are there any connotation to Bruno Shultz?
ANS…The tailor in my work is my father. That was his profession and the profession of my mother. Profession they imported from Zdunska Wola to Belgium. I know the work of Bruno Schultz but in my work there is no direct connotation with his his writings  or artwork,

The tailor or the geometry of fashion
The tailor or the geometry of fashion

 

Below: from the video-art  show.

 

Interview, Mental Striptease
Interview, Mental Striptease

See Video Art here

 

 

A Technicality: changing Theme.

To my readers and visitors:

I change my PressRow theme to the Cutline theme, both coded by Chris Pearson, Otherwise the blog remains the same blog as before.

UPDATE: To may great surprise and dismay I found that my new Cutline theme has been changed to the Coraline theme. A quote from an angry blogger is very close to my own feelings :

..”Other than that, it looks like WordPress dropped the ball, eh?  I mean, I’m still a bit stunned, after all this  changing of  the Cutline theme to Coraline. I log in and everything is changed.  My theme is gone. A new one in it’s place, and all my sidebar stuff has disappeared!  And NO..they were not in the “inactive widgets” pane, either.”…read more on the Pill Dust Logic blog

Four Invitations Into the Unknown

Invitation 1 for ” The Environment as a Witness” exhibition.

(in Hebrew “הסביבה כעדות”).

The four different invitations I issued for my coming up exhibition  ” The Environment as a Witness”, borrowed their title  from a preprint on quantum mechanics by the same name, with the secondary title:  “Selective Proliferation of Information and Emergence of Objectivity in a quantum Universe”. see here.

A  perhaps somewhat tricky quotation from  the abstract may convey the  flavor of the article and his resonance on the exhibition:

…”We study the role of the information deposited in the environment of an open quantum system in course of the decoherence process. Redundant spreading of information — the fact that some observables of the system can be independently “read-off” from many distinct fragments of the environment — is investigated as the key to effective objectivity, the essential ingredient of “classical reality”.”…

However, in plain English, the meaning is: how we the common humans, aka this article, agree together to see what seems to us the same objective reality made  from ‘ .. many distinct fragments of the environment “….

As someone whose trade is to making pictures from what he sees, this allover passing agreement on a reality based on an unseen quantum substrate is an intriguing mystery.

So, if I want to marry human mysteries with quantum mysteries in an art gallery,  for the human side of this marriage, a good story is  Night Watch (Russian: Ночной дозор, Nochnoy Dozor) a fantasy novel by Russian writer Sergei Lukyanenko:

…”The story revolves around a confrontation between two opposing supernatural groups (known as “Others”): the Night Watch, an organization dedicated to policing the actions of the Dark Others—and the Day Watch, which polices the actions of the Light Others.”..

Additional story details can draw a speculative parallel between the human  reality and the underlying quantum mysteries:

“In the story’s worldline there exists a magical realm beneath the surface of all things—referred to as the Twilight (or Gloom in other translations). The action in the novel centers on a group of people referred to as the Others—human beings who tapped into the Twilight and gained supernormal abilities. The Others were the humans (shamans, soothsayers, and wisemen) from long ago who figured out how to step into the Twilight. However, the Others are different from humans, they are born as Others. Humans are not able (at least in the first part of the tetralogy) to become Others.” .. see here.

The novel was made into a movie in 2004 by by the Kazakhstan-born film director Timur Bekmambetov, see here.

The movie was my visual source for the human side drawings I made in a pseudo comics style. The ‘performed  marriage’ on the invitation  is best seen in invitation 2 (below) where the left hand side is in pixelike form hinting to the quantum mysteries and the right hand side hint to the human mysteries.

Is it a happy marriage or not ? Where mysteries are involved who knows..

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Invitation 2 for ” The Environment as a Witness”.

Invitation 3 for ” The Environment as a Witness”.

Invitation 4 for ” The Environment as a Witness”,

N.B.

Israel. Tel Aviv. ‘The Kibbutz, Art Gallery’.  The exhibition is through May 14. Curated by Yael Keni. ‘